Yaa Gyasi’s Homegoing

5.0 Stars

»»» Possible Spoilers Ahead «««

Processed with VSCO with c7 preset“We believe the one who has the power. He’s the one who gets to write the story. So when you study history, you must always ask yourself, whose story am I missing? Whose voice was suppressed so that this voice could come forth? Once you have figured that out, you must find that story too. From there, you begin to get a clear yet still imperfect picture”  (227).

Homegoing by Yaa Gyasi weaves a multigenerational tale addressing the history, colonialism, and slavery of Ghana and America by following the stories of two half-sisters. One sister “marries” a white British slave trader because her tribe and family are in the business of selling their African brethren. The other sister is sold as a slave and ends up in America. Each chapter introduces us to a new descendent and a new struggle. Gyasi gives us a glimpse of each person’s life and their hardships. We meet Ness who tries to run away from her slaveowner and ends up captured; but secures freedom for her son, who in turn never knows his mother and grows up as a free man. Across the ocean, we are introduced to James, an Asante, who leaves the bloodstained wealth of his tribe to marry a poor girl whom he loves.

Gyasi’s narrative allows you to only have a portion of each person’s story. There is no end, no closure for some of these characters and that is one of the important lessons of her book. One of the great tragedies of slavery is how much history was lost. Descendants of slaves can only trace themselves back to a certain point – a point in which they were sold, traded, or an ancestor was killed. It is a haunting quality that aches in the minds of people of color today. Imagine being a child with brown skin having to listen, around Thanksgiving, as your white counterparts brag about being able to trace themselves back to the Mayflower or back to George Washington. There is a whole race of people in America who are excluded from that pride because their heritage leads them to slave ships, African slavers, and white slave traders. When white people boast about being able to trace their lineage back to the Mayflower, are they also sorry if they can trace their lineage back to the Confederacy?

This book makes you take a hard look at what being Black was and is like. Gyasi holds you captive in a slaves’ dungeon, sells you in the South, helps you run away from a cruel white master, urges you to leave your Asante lands and tribal wealth, makes you fight in the Civil War, gets you arrested by implementing the black codes, kills you at the hands of a white missionary, forms a union for Black workers, makes you a teacher of your colonizer’s language and religion, helps you escape the Jim Crow South, takes you to Harlem where you are forced to face colorism and the limitations of being too black and not black enough, through the doping and drug-addicted 80s, makes you live in Alabama, all the way to making you a college graduate and becoming your ancestor’s wildest dreams.

The narratives of these characters leaves you longing to learn more, but the point of the book is not to tell you each character’s life story. It is to build on the shared experiences of pain, regret, terror, ignorance, assimilation, pride and strength until what is forged is Black healing- American and African. The reconciliation of the history of colonialism and slavery, and what was lost by the atrocities of the slave trade births a healing that comes regardless of whether you can pinpoint where that pain started. It is a concept that eludes most people today unless you study Black history and Black writings. This is the great achievement of Gyasi’s book: it takes centuries of pain and history, and condenses it into 300 pages using stories that bring to life the subjugation, humiliation, pain, and terror of Black people based on the history of colonialism and slavery, without you having to be well-read and learned in Black history. If all you know about the Civil Rights Movement is that MLK had a dream, if you never cared to read Malcolm X, if you never asked yourself why Confederate statutes exist, if you simply never found it relevant to understand Black Lives Matter; then this is the book for you. It will open you up to centuries of pain and leave you with unfinished stories that have you longing to find out why? When? How come? How could this happen? And hopefully, that will lead you to other books on the history of race in America, which in turn will lead you to understand the current events around race and culture.

A few non-fiction recommendations:

•·• Letters from a Birmingham Jail by Dr. Martin Luther King

•·• The New Jim Crow by Michelle Alexander

•·• The Half Has Never Been Told by Edward E. Baptist

•·• The Autobiography of Malcolm X by Malcolm X and Alex Haley

•·• Stamped From the Beginning by Ibram Kendi

•·• Color of Law by Richard Rothstein

•·• When Affirmative Action was White by Ira Katznelson

•·• Born A Crime: Stories from a South African Childhood by Trevor Noah

Fiction recommendations:

•·• Beloved by Toni Morrison

•·• Half of the Yellow Sun by Chimamanda Ngozi Adichie

•·• Island Beneath the Sea by Isabel Allende

•·• Invisible Man by Ralph Ellison

Quotes:

“If we go to the white man for school, if we just learned the way the white man wants us to learn. We will come back and build the country the white man wants us to build. One that continues to serve them. We will never be free” (223).

“Sonny would tell Marcus about how America used to lock up black men off the sidewalks for labor or how redlining kept banks from investing in black neighborhoods, preventing mortgages or business loans. So was it a wonder the prisons were still full of them? Was it a wonder that the ghetto was the ghetto? There were things that he used to talk about that Marcus never saw in his history books, but that later, when he got to college, he learned to be true. He learned that his father’s mind was a brilliant mind, but it was trapped underneath something” (285).

“…but the deeper into the research he got, the bigger the project. How could he talk about Great-Grandpa H‘s story without also talking about his Grandma Willie and the millions of other black people who had migrated north, fleeing Jim Crow? And if he mentioned the Great Migration, he’d have to talk about the cities that took that flock in. He’d have to talk about Harlem. And how could he talk about Harlem without mentioning his father‘s heroin addiction – the stints in prison, the criminal record? And if he was going to talk about heroin and Harlem in the 60’s,  wouldn’t he also have to talk about crack everywhere in the 80’s? And if he wrote about crack, he’d inevitably be writing, too, about the ‘war on drugs’. And if he started talking about the war on drugs, he’d be talking about how nearly half of the black men he grew up with were on their way either into or out of what had become the harshest prison system in the world. And if he talked about why friends from his hood we’re doing five-year bids for possession of marijuana when nearly all the white people he’d gone to college with smoked it openly every day, he gets so angry that he’d slam the research book on the table…And all they would see would be his skin and his anger, and they would think they knew something about him, and it would be the same something that justified putting his Great-Grandpa H in prison, only it would be different too, less obvious than it once was” (289).

“How could he explain that he wasn’t supposed to be here? Alive. Free. That the fact that he had been born, that he wasn’t in a jail cell somewhere, was not by dint of his pulling himself up by the bootstraps, not by hard work or belief in the American dream, but by mere chance. He had only heard tell of his great-grandpa H from Ma Willie, but those stories were enough to make him weep and to fill him with pride. Two-Shovel H they had called him. But what had they called his father or his father before him? What of the mothers? They have been products of their time, and walking in Birmingham now, Marcus was an accumulation of these times. That was the point” (296).

I’m pairing this book with Dogfish Head’s Romantic Chemistry IPA. I chose this beer because the fruity notes of mango and apricot, ginger and the hoppy finish worked well together. The blend of fruity and hoppy seemed like the perfect combination for this book, bitter but with an underlying sweetness.

Format: Hardcover.

Colson Whitehead’s The Underground Railroad

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4.0 Stars

There is so much to say about Colson Whitehead’s The Underground Railroad that I don’t even know where to begin. Let’s start with content. Whitehead doesn’t just talk about slavery in the basic way that we’ve heard the story told before. He describes all the atrocities that came along with it – medical experimentation on black bodies, the hiding of black bodies, the selling of black bodies and the neutering of black female bodies. He makes the reader wander through plantation-era America as a black woman so effectively that the pain and humiliation you feel as a reader will make you want to either put the book down or hurry up and get it over with. For me, it was painful. It was humiliating. I experienced second-hand rage and defeat at the feelings of powerlessness in the face of savage injustice. I don’t know if I should advise future readers to gird yourselves against these emotions or to open yourselves to the rage, humiliation, and despair that is certainly still echoing in our nation today.

Stylistically, Whitehead is simple and straightforward in his writing. The sufferings and situations are quite possibly real accounts that have been transcribed into a work of fiction. There is no need to elaborate on the suffering when the suffering was already so brutal. One factor that surprised me was that Whitehead’s Underground Railroad is an actual locomotive with an underground network of rails. Personally, I think this was a smart literary tactic to draw attention away from the workings of the real Tubman-style Railroad, and instead emphasized the experiences, emotions, and fears of the runaway, not just the system.

The last part of this review has less to do with the novel and more to do with the universality of the impact that slavery and colonization had around the world. I was raised in the West Indies and as I read more literature on American slavery I’m learning that so much of what I was brought up around is a product of white supremacist Christianity and racism leftover from generations gone by. For example, the term “pickney” is used in the West Indies to refer to a child or children. The word is derived from “pickaninnies” which we now know as a racist term for a black child. Now, the English Oxford dictionary says that the word “pickney” isn’t used to be offensive or as a racial slur. However, the more I read about slavery era customs and see how they have carried over to this century, the more I disagree. As a West Indian, I can say with confidence that they don’t know that the word is derived from a racist term. I didn’t until I was in my late twenties. I hadn’t heard the term “pickaninnies” until then either. West Indian and Caribbean education was ruled by the British for so long that we continue to tell our history through the lens our conquerors. As West Indians and Caribbean people are still just trying to survive economically, what time do they have to learn about the oppression and divide imparted to them by their British and Dutch conquerors? If they did, maybe they would change their language and not refer to their children as pickney and the racism that exists between them and Afro-Caribbeans would cease.

Processed with VSCO with a5 presetI’m pairing this novel with a cider because whenever the slaves in the novel were able to, they drank cider. This book was such an emotional trip, so feel free to get some moonshine instead. I chose an American made cider, Angry Orchard’s Cinnful Apple Cider. It is sweet with a slight heat that will warm you even as the flames of rage engulf you from the atrocities of slavery you will be reading. The juicy apple notes are complemented by cinnamon spice so that even if you aren’t a huge fan of ciders, this one is pretty tasty. Plus the double entendre of a “cinnful” cider paired with the sinful* practice of slavery was too much for me to ignore.

*Sinful is used here in a personal, moralistic sense, not a biblical sense. The Bible approves of slavery.

Quotes:

“Slavery is a sin when whites were put to the yoke, but not the African. All men are created equal, unless we decide you are not a man.”

“Stolen bodies working stolen land. It was an engine that did not stop, its hungry boiler fed with blood.”

“The whites came to this land for a fresh start and to escape the tyranny of their masters, just as the freemen had fled theirs. But the ideals they held up for themselves, they denied others.”

“Yet when his classmates put their blades to a colored cadaver, they did more for the cause of colored advancement than the most high-minded abolitionist. In death the negro became a human being. Only then was he the white man’s equal.”

“If niggers were supposed to have their freedom, they wouldn’t be in chains. If the red man was supposed to keep hold of his land, it’d still be his. If the white man wasn’t destined to take this new world, he wouldn’t own it now.
Here was the true Great Spirit, the divine thread connecting all human endeavor–if you can keep it, it is yours. Your property, slave or continent. The American imperative.”

“A plantation was a plantation; one might think one’s misfortunes distinct, but the true horror lay in their universality.”

Format: E-book.